Cinema Politica recently put out a call for proposals to launch a new genre: documentary futurism, or speculative documentary. It was extremely difficult to put together a proposal for a genre that for the most part doesn’t yet exist, but what I ultimately decided was that this genre should be more about process than any kind of structure, aesthetics, or style (i.e., the opposite of von Trier’s self-indulgent “dogma” films).<
The new season of the television show American Crime is all about indulging North American fantasies about trafficking.
At first glance, the show appears to be taking up the radical project of exploring the roles of border imperialism and the criminalization of migration on the coercive labor conditions experienced by farm workers in the US. If this was the entire thrust of the show, it’s possible something interesting could come of it. However, the story lines centering the farm owners and laborers (that after two episodes, as of this writing, are bizarrely bifurcated by a questionable desire to “show both sides of the story” of farm labor exploitation) are interwoven with, and thus seemed designed to legitimize, hysterical fantasies of sex trafficking of white women and girls.