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The Role of the Documentary Filmmaker

Documentary filmmakers are not journalists: it is not our job to be "objective" - as if there even is such a thing as objectivity that one could actually practice in fields like journalism. It is not our job either to tell the whole story or give a full history, again, as if such a thing were even possible to do (especially in two hours or less of screen time). Rather, as far as I am concerned, it is a documentarian's job to tell stories that challenge established narratives, and to do so in a formal and artful manner that encourages spectators to question how they come to understand and interpret the world around them. The best documentary filmmakers have a firm point of view, but they also don't rely solely on facts to support the story they want to tell. They shift, whether subtly or radically, the foundations from which a spectator comes to understand an issue or topic. ftos_banner1 (more…)

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My Current Documentary Viewing List

As I wrap up my last documentary, Pride Denied, and am developing my next documentary on citizenship, I've decided to do an intensive review of art and experimental documentaries. On this list are films that I have seen and loved, as well as films I've yet to see (probably about a 50/50 split). I've tried to develop a list that is diverse in terms of subject matter, form, and ethnic/gender/sexual positionalities of the directors themselves. However, this list is far from exhaustive and could still use considerable expansion, so please feel free to make suggestions in the comments! I'll try to post reviews as I watch. [caption id="attachment_613" align="alignnone" width="745"]Trinh DVCAM4-4R Filmmaker Trinh. T. Minh-ha[/caption] (more…)